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DTSTART;TZID=America/Halifax:20210909T183000
DTEND;TZID=America/Halifax:20210909T193000
DTSTAMP:20260826T005250
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SUMMARY:Von Díaz / My 28 Kitchens: Mapping My Food History
DESCRIPTION:Location: Virtual \n\n\n\n\n Register \n\n\n\n\nThe kitchen is the hearth of the home; a convening space laden with memories that spring beyond the physical location\, because the smells and flavors created there can themselves come to symbolize home. For Von Diaz\, migration from the Caribbean coupled with family instability led to a life in transition; many homes\, many kitchens; shifting tectonic plates of adaptation where meaning and identity were formed. In this talk\, she’ll explore the 28 kitchens she’s had in her life—how tools\, recipes\, and techniques are archives of culture\, and how kitchens are liminal spaces that enable us to bring home with us wherever we go. \n\n\n\nThis event is part of our year-long exploration on the theme of “Home\, What does it look like now?” How can we reconsider home in the 21st century as we cross states and borders seeking comfort\, safety and identity? Against the backdrop of a global pandemic\, state sanctioned violence against black bodies coupled with enhancing diverse and inclusive curricula\, the Center for Black Visual Culture (CBVC) will explore the significant ways black visual narratives respond to the cultural\, dynamic political\, social\, economic as well intimate changes that force us to (re)interrogate previous conceptions of home. \n\n\n\nThis event is hosted by the CBVC at the Institute of African American Affairs and co-sponsored by The Latinx Project\, the 370J Project and the Department of Photography and Imaging\, Tisch School of the Arts. \n\n\n\n \n\n\n\nReplay Event – Click Here. (Corrected captions to come) \n\n\n\n \n\n\n\nSPEAKER BIO \n\n\n\nVon Diaz is a writer\, documentary producer\, and author of Coconuts & Collards: Recipes and Stories from Puerto Rico to the Deep South. \n\n\n\nBorn in Puerto Rico and raised in Atlanta\, GA\, she explores food\, culture\, and identity. Her cooking and culinary research focus on Caribbean foodways\, and adapting traditional dishes to modern recipes. In addition to her debut culinary memoir\, she has contributed recipes and essays to several cookbooks and anthologies\, including Diana Henry’s From the Oven to the Table\, Julia Turshen’s Feed the Resistance\, Charlotte Druckman’s Women on Food\, and Joe Yonan’s America The Great Cookbook\, among others. Her forthcoming narrative cookbook\, Islas: Cuisines of Resilience (Chronicle 2023) explores the ancestral cooking techniques\, shared ingredients\, postcolonialism\, and environmental vulnerability that connect warm weather islands across the globe. Her work is featured in the New York Times\, The Washington Post\, Bon Appétit\, NPR\, Food & Wine Magazine\, Eater\, and Epicurious. She has also been a reporter for NPR\, StoryCorps\, The Splendid Table\, WNYC\, PRI’s The World\, The Southern Foodways Alliance\, Colorlines\, and Feet in 2 Worlds. \n\n\n\nIn addition to food journalism\, she has also worked for a number of institutions dedicated to storytelling\, arts and culture\, and social justice. She teaches food studies and oral history at the University of North Carolina\, Chapel Hill. Previously\, she was the Lehman Brady visiting scholar at the Center for Documentary Studies at Duke University. She is an Editor and Radio Producer at StoryCorps\, where she produces radio broadcasts for NPR’s Morning Edition\, and contributed dozens of interviews to the organization’s vast oral history archive in the Library of Congress. Before arriving at StoryCorps\, she was the Editor of Feet in 2 Worlds\, which brings the work of immigrant and ethnic media journalists from communities across the U.S. to public radio and the web. Formerly\, Von served as the Marketing and Communications Manager for El Museo del Barrio\, a celebrated Puerto Rican and Latino museum and cultural institution in New York City. In addition to her teaching and journalistic work\, she was a story producer at Google Brand Studio where she led research strategy and story development for documentary films\, animated shorts\, and podcasts. Her leadership roles include the African Cuisine Advisory Council at the Culinary Institute of America (CIA)\, and the Board of Directors for the Center for Documentary Studies at Duke University. \n\n\n\nShe is a frequent public speaker\, and in 2015 she gave the TEDx talk\, “Every Dish Has a Story: Mapping My Food History\,” exploring how cooking and eating reflect our deepest cultural roots. She’s also taught writing and audio production workshops at New York University and The New School\, among others. \n\n\n\nVon received a B.A. in Women’s Studies from Agnes Scott College. She went on to receive a dual M.A. in Journalism and Latin American and Caribbean Studies from New York University\, where she completed a Tinker Field Research Fellowship to record the oral histories of elder LGBTQ communities in Havana\, Cuba. \n\n\n\nhttps://www.vondiaz.com/about \n\n\n\nhttps://www.vondiaz.com/books
URL:https://cbvc.nyu.edu/events/von-diaz-my-28-kitchens-mapping-my-food-history
LOCATION:Location\, 1f-27 Ozone Center\, Faridabad\, Haryana\, 121007\, India
ATTACH;FMTTYPE=image/jpeg:https://cbvc.nyu.edu/wp-content/uploads/2021/10/INSTAGRAM_VON-DIAZ_homewahatdoesitlooklikenow_NYU_CBVC-IAAA_sept9.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210909T183000
DTEND;TZID=UTC:20210909T193000
DTSTAMP:20260826T005250
CREATED:20220502T172052Z
LAST-MODIFIED:20220502T172054Z
UID:3517-1631212200-1631215800@cbvc.nyu.edu
SUMMARY:Home:
DESCRIPTION:What Does It Look Like Now? Von Diaz – My 28 Kitchens: Mapping My Food History\n\n\n\n\n\n\n\n\n\nThe kitchen is the hearth of the home; a convening space laden with memories that spring beyond the physical location\, because the smells and flavors created there can themselves come to symbolize home. For Von Diaz\, migration from the Caribbean coupled with family instability led to a life in transition; many homes\, many kitchens; shifting tectonic plates of adaptation where meaning and identity were formed. In this talk\, she’ll explore the 28 kitchens she’s had in her life—how tools\, recipes\, and techniques are archives of culture\, and how kitchens are liminal spaces that enable us to bring home with us wherever we go. \n\n\n\nThis event is part of our year-long exploration on the theme of “Home\, What does it look like now?” How can we reconsider home in the 21st century as we cross states and borders seeking comfort\, safety and identity? Against the backdrop of a global pandemic\, state sanctioned violence against black bodies coupled with enhancing diverse and inclusive curricula\, the Center for Black Visual Culture (CBVC) will explore the significant ways black visual narratives respond to the cultural\, dynamic political\, social\, economic as well intimate changes that force us to (re)interrogate previous conceptions of home. \n\n\n\nThis event is hosted by the CBVC at the Institute of African American Affairs and co-sponsored by The Latinx Project\, the 370J Project and the Department of Photography and Imaging\, Tisch School of the Arts. \n\n\n\nReplay Event – Click Here  \n\n\n\n\n\n\n\nSPEAKER BIO \n\n\n\nVon Diaz is a writer\, documentary producer\, and author of Coconuts & Collards: Recipes and Stories from Puerto Rico to the Deep South. \n\n\n\nBorn in Puerto Rico and raised in Atlanta\, GA\, she explores food\, culture\, and identity. Her cooking and culinary research focus on Caribbean foodways\, and adapting traditional dishes to modern recipes. In addition to her debut culinary memoir\, she has contributed recipes and essays to several cookbooks and anthologies\, including Diana Henry’s From the Oven to the Table\, Julia Turshen’s Feed the Resistance\, Charlotte Druckman’s Women on Food\, and Joe Yonan’s America The Great Cookbook\, among others. Her forthcoming narrative cookbook\, Islas: Cuisines of Resilience (Chronicle 2023) explores the ancestral cooking techniques\, shared ingredients\, postcolonialism\, and environmental vulnerability that connect warm weather islands across the globe. Her work is featured in the New York Times\, The Washington Post\, Bon Appétit\, NPR\, Food & Wine Magazine\, Eater\, and Epicurious. She has also been a reporter for NPR\, StoryCorps\, The Splendid Table\, WNYC\, PRI’s The World\, The Southern Foodways Alliance\, Colorlines\, and Feet in 2 Worlds. \n\n\n\nIn addition to food journalism\, she has also worked for a number of institutions dedicated to storytelling\, arts and culture\, and social justice. She teaches food studies and oral history at the University of North Carolina\, Chapel Hill. Previously\, she was the Lehman Brady visiting scholar at the Center for Documentary Studies at Duke University. She is an Editor and Radio Producer at StoryCorps\, where she produces radio broadcasts for NPR’s Morning Edition\, and contributed dozens of interviews to the organization’s vast oral history archive in the Library of Congress. Before arriving at StoryCorps\, she was the Editor of Feet in 2 Worlds\, which brings the work of immigrant and ethnic media journalists from communities across the U.S. to public radio and the web. Formerly\, Von served as the Marketing and Communications Manager for El Museo del Barrio\, a celebrated Puerto Rican and Latino museum and cultural institution in New York City. In addition to her teaching and journalistic work\, she was a story producer at Google Brand Studio where she led research strategy and story development for documentary films\, animated shorts\, and podcasts. Her leadership roles include the African Cuisine Advisory Council at the Culinary Institute of America (CIA)\, and the Board of Directors for the Center for Documentary Studies at Duke University. \n\n\n\nShe is a frequent public speaker\, and in 2015 she gave the TEDx talk\, “Every Dish Has a Story: Mapping My Food History\,” exploring how cooking and eating reflect our deepest cultural roots. She’s also taught writing and audio production workshops at New York University and The New School\, among others. \n\n\n\nVon received a B.A. in Women’s Studies from Agnes Scott College. She went on to receive a dual M.A. in Journalism and Latin American and Caribbean Studies from New York University\, where she completed a Tinker Field Research Fellowship to record the oral histories of elder LGBTQ communities in Havana\, Cuba. \n\n\n\n\nhttps://www.vondiaz.com/about\n\n\n\n\n\nhttps://www.vondiaz.com/books
URL:https://cbvc.nyu.edu/events/home
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://cbvc.nyu.edu/wp-content/uploads/2022/05/INSTAGRAM_VON-DIAZ_homewahatdoesitlooklikenow_NYU_CBVC-IAAA_sept9.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210914T140000
DTEND;TZID=America/Halifax:20210914T150000
DTSTAMP:20260826T005250
CREATED:20211008T034544Z
LAST-MODIFIED:20211008T034549Z
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SUMMARY:Better Days Will Come Again: The Life of Arthur Briggs\, Jazz Genius of Harlem\, Paris\, and a Nazi Prison Camp
DESCRIPTION:With Author Travis Atria joined by James Briggs Murray and Barbara Pierrat-Briggs \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nLocation: Virtual \n\n\n\n\n Register \n\n\n\n\nArthur Briggs is the most important name in jazz history you’ve probably never heard. Known as “The Louis Armstrong of France\,” Briggs was among the most important musicians to bring jazz to Europe. Indeed\, he had an uncanny ability to be where history was happening: from Harlem during the renaissance\, to Paris during the Jazz Age\, to a Nazi prison camp during WWII. He interacted with\, and influenced\, everyone from Django Reinhardt to the Prince of Wales. But Briggs’s life was about so much more than just music. His unbending sense of dignity led him to heroic acts during his imprisonment in the Nazi stalag at St. Denis\, and his lifelong pursuit of racial justice make him a beacon for our age. In Better Days Will Come Again\, this incredible story is told for the first time. Join author Travis Atria\, along with Briggs’s daughter Barbara and great-nephew James Briggs Murray\, to discuss the man\, the book\, and the lessons we can learn from them. \n\n\n\nThis event is part of our year-long exploration on the theme of “Home\, What does it look like now?” How can we reconsider home in the 21st century as we cross states and borders seeking comfort\, safety and identity? Against the backdrop of a global pandemic\, state sanctioned violence against black bodies coupled with enhancing diverse and inclusive curricula\, the Center for Black Visual Culture (CBVC) will explore the significant ways black visual narratives respond to the cultural\, dynamic political\, social\, economic as well intimate changes that force us to (re)interrogate previous conceptions of home. \n\n\n\nhttps://www.chicagoreviewpress.com/better-days-will-come-again-products-9780914090106.php
URL:https://cbvc.nyu.edu/events/better-days-will-come-again-the-life-of-arthur-briggs-jazz-genius-of-harlem-paris-and-a-nazi-prison-camp
LOCATION:Location\, 1f-27 Ozone Center\, Faridabad\, Haryana\, 121007\, India
ATTACH;FMTTYPE=image/jpeg:https://cbvc.nyu.edu/wp-content/uploads/2021/10/INSTAGRAM_better-days-are-coming_NYU_CBVC-IAAA_sept14-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210914T140000
DTEND;TZID=UTC:20210914T150000
DTSTAMP:20260826T005250
CREATED:20220502T172724Z
LAST-MODIFIED:20220502T172725Z
UID:3521-1631628000-1631631600@cbvc.nyu.edu
SUMMARY:HOME - Better Days Will Come Again:
DESCRIPTION:The Life of Arthur Briggs\, Jazz Genius of Harlem\, Paris\, and a Nazi Prison Camp with author Travis Atria joined by James Briggs Murray and Barbara Pierrat-Briggs\n\n\n\n\n\n\n\n\n\nReplay Event – Click Here \n\n\n\n\n\n\n\nArthur Briggs is the most important name in jazz history you’ve probably never heard. Known as “The Louis Armstrong of France\,” Briggs was among the most important musicians to bring jazz to Europe. Indeed\, he had an uncanny ability to be where history was happening: from Harlem during the renaissance\, to Paris during the Jazz Age\, to a Nazi prison camp during WWII. He interacted with\, and influenced\, everyone from Django Reinhardt to the Prince of Wales. But Briggs’s life was about so much more than just music. His unbending sense of dignity led him to heroic acts during his imprisonment in the Nazi stalag at St. Denis\, and his lifelong pursuit of racial justice make him a beacon for our age. In Better Days Will Come Again\, this incredible story is told for the first time. Join author Travis Atria\, along with Briggs’s daughter Barbara and great-nephew James Briggs Murray\, to discuss the man\, the book\, and the lessons we can learn from them. \n\n\n\nThis event is part of our year-long exploration on the theme of “Home\, What does it look like now?” How can we reconsider home in the 21st century as we cross states and borders seeking comfort\, safety and identity? Against the backdrop of a global pandemic\, state sanctioned violence against black bodies coupled with enhancing diverse and inclusive curricula\, the Center for Black Visual Culture (CBVC) will explore the significant ways black visual narratives respond to the cultural\, dynamic political\, social\, economic as well intimate changes that force us to (re)interrogate previous conceptions of home. \n\n\n\nhttps://www.chicagoreviewpress.com/better-days-will-come-again-products-9780914090106.php
URL:https://cbvc.nyu.edu/events/home-better-days-will-come-again
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://cbvc.nyu.edu/wp-content/uploads/2022/05/INSTAGRAM_better-days-are-coming_NYU_CBVC-IAAA_sept14-copy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Halifax:20210929T183000
DTEND;TZID=America/Halifax:20210929T193000
DTSTAMP:20260826T005250
CREATED:20211008T033931Z
LAST-MODIFIED:20211008T033935Z
UID:2158-1632940200-1632943800@cbvc.nyu.edu
SUMMARY:Seeking Home: A Conversation with Artists Sadie Barnette\, Zalika Azim and Tyler Mitchell
DESCRIPTION:Location: Virtual \n\n\n\n\n Register \n\n\n\n\nHome is a place of memory and belonging\, but it is also a place of migration and instability.  Each of these artists’ practices illuminate the reimagining of historical narratives as a means of interrogating colonial landscapes\, family history\, repression\, and resistance\, whether it be in an effort to understand or expand possibilities\, or explore a new aesthetic of Blackness. We are so excited to have these three artists join us\, first by presenting their work and then in conversation to explore the ways in which the very notion of seeking home is problematized. There will also be time for audience Q&A. \n\n\n\nThis event is part of our year-long exploration on the theme of “Home\, What does it look like now?” Against the backdrop of a global pandemic\, state sanctioned violence against black bodies\, the CBVC will explore the significant ways black visual narratives respond to the dynamic cultural\, political\, social\, economic and intimate changes that have forced us to (re)interrogate previous conceptions of blackness and home. Within the context of Covid-19\, home is both comfort and host to multiple modalities of black disruption and displacement. The crisis has brought into sharp relief the ways in which familial and cultural ties of black diaspora are troubled and forced to morph when geographical borders once bridged through the relative ease of travel\, are suddenly restricted. The theme provides a framework that enables us to both reflect and imagine. For example\, how do we sustain our connectivity by fueling the diasporic imaginary? These are some of the questions we will be exploring in the Fall 2021 and Spring 2022 season\, along with the concept of Black Joy in Resistance. \n\n\n\nThis event is hosted by the CBVC at the Institute of African American Affairs and co-sponsored by the Center for the Study of Gender and Sexuality at the Department of Social and Cultural Analysis\, NYU; the 370J Project; and the Department of Photography and Imaging\, Tisch School of the Arts\, NYU. \n\n\n\n \n\n\n\nARTIST BIOS \n\n\n\nSadie Barnette’s multimedia practice illuminates her own family history as it mirrors a collective history of repression and resistance in the United States. Barnette holds a BFA from CalArts and an MFA from the University of California\, San Diego. She has been awarded grants and residencies by the Studio Museum in Harlem\, Art Matters\, Skowhegan School of Painting and Sculpture\, and the Headlands Center for the Arts. Her work is in the permanent collections of institutions such as the Los Angeles County Museum of Art; Oakland Museum of California; Studio Museum in Harlem; Brooklyn Museum; and the Solomon R. Guggenheim Museum. She lives and works in Oakland\, CA\, and is represented by Charlie James Gallery in Los Angeles and Jessica Silverman in San Francisco. Sadie Barnette: Legacy & Legend\, a partnership between the Benton Museum of Art at Pomona College and Pitzer College Art Galleries\, will open September 2021.  Socials: IG @sadiebarnette    Website: www.sadiebarnette.com \n\n\n\nZalika Azim is an interdisciplinary artist whose work explores the tensions between personal and collective narratives to investigate the ways in which memory\, migration and belonging are contextualized in relation to colonized landscapes. Utilizing photography\, installation\, archives\, text\, sound\, and social organizing as a framework\, she is developing projects that explore black imagination as a means for understanding possibility. Azim’s work has been presented at Gagosian\, The International Center of Photography\, The Maryland Institute College of Art\, Welancora Gallery\, Diego Rivera Gallery\, and the African American Museum in Philadelphia. Her first solo exhibition was presented in 2019 with Baxter Street at The Camera Club of New York. She has participated in residencies at the McColl Center for Art and Innovation\, Shandaken Projects–Governors Island\, BRIC\, and Baxter St CCNY. Azim received a BFA in Photography & Imaging and a BA in Social and Cultural Analysis from New York University.     Instagram – 26thletter    zalikaazim.com \n\n\n\nTyler Mitchell (American\, b. 1995) is a photographer and filmmaker based in Brooklyn\, working across  many genres to explore and document a new aesthetic of Blackness. Mitchell is regularly published in  avant-garde magazines\, commissioned by prominent fashion houses\, and exhibited in top tier  institutions. \n\n\n\nIn 2018\, he made history as the first Black photographer to shoot a cover of American Vogue for  Beyoncé’s appearance in the September issue. In 2019\, a portrait from this series was acquired by The  Smithsonian National Portrait Gallery for its permanent collection. This\, alongside many other  accomplishments\, has established Mitchell as one of the most closely watched up-and-coming talents  in image making today. \n\n\n\nHis first solo exhibition I Can Make You Feel Good at Foam Fotografiemuseum Amsterdam (2019)  premiered video works including Idyllic Space. An iteration of this show is now on view at The  International Center of Photography (ICP) in New York. A monograph of the same title expands upon  both shows and was published by Prestel in August 2020. \n\n\n\nMitchell has lectured at a number of institutions including Harvard University\, Paris Photo and The  International Center of Photography (ICP). \n\n\n\nhttps://www.tylermitchell.co/
URL:https://cbvc.nyu.edu/events/seeking-home-a-conversation-with-artists-sadie-barnette-zalika-azim-and-tyler-mitchell
LOCATION:Location\, 1f-27 Ozone Center\, Faridabad\, Haryana\, 121007\, India
ATTACH;FMTTYPE=image/jpeg:https://cbvc.nyu.edu/wp-content/uploads/2021/10/nyu-iaaa-cbvc_seeking-home-IG.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20210929T183000
DTEND;TZID=UTC:20210929T193000
DTSTAMP:20260826T005250
CREATED:20220502T173210Z
LAST-MODIFIED:20220502T173330Z
UID:3525-1632940200-1632943800@cbvc.nyu.edu
SUMMARY:Seeking Home:
DESCRIPTION:A Conversation with Artists Sadie Barnette\, Zalika Azim and Tyler Mitchell\n\n\n\n\n\n\n\n\n\nHome is a place of memory and belonging\, but it is also a place of migration and instability.  Each of these artists’ practices illuminate the reimagining of historical narratives as a means of interrogating colonial landscapes\, family history\, repression\, and resistance\, whether it be in an effort to understand or expand possibilities\, or explore a new aesthetic of Blackness. We are so excited to have these three artists join us\, first by presenting their work and then in conversation to explore the ways in which the very notion of seeking home is problematized. There will also be time for audience Q&A. \n\n\n\nThis event is part of our year-long exploration on the theme of “Home\, What does it look like now?” Against the backdrop of a global pandemic\, state sanctioned violence against black bodies\, the CBVC will explore the significant ways black visual narratives respond to the dynamic cultural\, political\, social\, economic and intimate changes that have forced us to (re)interrogate previous conceptions of blackness and home. Within the context of Covid-19\, home is both comfort and host to multiple modalities of black disruption and displacement. The crisis has brought into sharp relief the ways in which familial and cultural ties of black diaspora are troubled and forced to morph when geographical borders once bridged through the relative ease of travel\, are suddenly restricted. The theme provides a framework that enables us to both reflect and imagine. For example\, how do we sustain our connectivity by fueling the diasporic imaginary? These are some of the questions we will be exploring in the Fall 2021 and Spring 2022 season\, along with the concept of Black Joy in Resistance. \n\n\n\nThis event is hosted by the CBVC at the Institute of African American Affairs and co-sponsored by the Center for the Study of Gender and Sexuality at the Department of Social and Cultural Analysis\, NYU; the 370J Project; and the Department of Photography and Imaging\, Tisch School of the Arts\, NYU. \n\n\n\nReplay Event – Click Here \n\n\n\n\n\n\n\nARTIST BIOS \n\n\n\nSadie Barnette’s multimedia practice illuminates her own family history as it mirrors a collective history of repression and resistance in the United States. Barnette holds a BFA from CalArts and an MFA from the University of California\, San Diego. She has been awarded grants and residencies by the Studio Museum in Harlem\, Art Matters\, Skowhegan School of Painting and Sculpture\, and the Headlands Center for the Arts. Her work is in the permanent collections of institutions such as the Los Angeles County Museum of Art; Oakland Museum of California; Studio Museum in Harlem; Brooklyn Museum; and the Solomon R. Guggenheim Museum. She lives and works in Oakland\, CA\, and is represented by Charlie James Gallery in Los Angeles and Jessica Silverman in San Francisco. Sadie Barnette: Legacy & Legend\, a partnership between the Benton Museum of Art at Pomona College and Pitzer College Art Galleries\, will open September 2021.  Socials: IG @sadiebarnette    Website:www.sadiebarnette.com/biography/ \n\n\n\nZalika Azim is an interdisciplinary artist whose work explores the tensions between personal and collective narratives to investigate the ways in which memory\, migration and belonging are contextualized in relation to colonized landscapes. Utilizing photography\, installation\, archives\, text\, sound\, and social organizing as a framework\, she is developing projects that explore black imagination as a means for understanding possibility. Azim’s work has been presented at Gagosian\, The International Center of Photography\, The Maryland Institute College of Art\, Welancora Gallery\, Diego Rivera Gallery\, and the African American Museum in Philadelphia. Her first solo exhibition was presented in 2019 with Baxter Street at The Camera Club of New York. She has participated in residencies at the McColl Center for Art and Innovation\, Shandaken Projects–Governors Island\, BRIC\, and Baxter St CCNY. Azim received a BFA in Photography & Imaging and a BA in Social and Cultural Analysis from New York University.     Instagram – 26thletter    zalikaazim.com \n\n\n\nTyler Mitchell (American\, b. 1995) is a photographer and filmmaker based in Brooklyn\, working across  many genres to explore and document a new aesthetic of Blackness. Mitchell is regularly published in  avant-garde magazines\, commissioned by prominent fashion houses\, and exhibited in top tier  institutions. \n\n\n\nIn 2018\, he made history as the first Black photographer to shoot a cover of American Vogue for  Beyoncé’s appearance in the September issue. In 2019\, a portrait from this series was acquired by The  Smithsonian National Portrait Gallery for its permanent collection. This\, alongside many other  accomplishments\, has established Mitchell as one of the most closely watched up-and-coming talents  in image making today. \n\n\n\nHis first solo exhibition I Can Make You Feel Good at Foam Fotografiemuseum Amsterdam (2019)  premiered video works including Idyllic Space. An iteration of this show is now on view at The  International Center of Photography (ICP) in New York. A monograph of the same title expands upon  both shows and was published by Prestel in August 2020. \n\n\n\nMitchell has lectured at a number of institutions including Harvard University\, Paris Photo and The  International Center of Photography (ICP).https://www.tylermitchell.co/
URL:https://cbvc.nyu.edu/events/seeking-home
LOCATION:NY
ATTACH;FMTTYPE=image/jpeg:https://cbvc.nyu.edu/wp-content/uploads/2022/05/nyu-iaaa-cbvc_seeking-home-IG.jpg
END:VEVENT
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