The Center for Photography at Woodstock (CPW) is delighted to announce Keisha Scarville as the winner of its inaugural Saltzman Prize, presented in cooperation with PHOTOFAIRS New York. The Saltzman Prize recognizes extraordinary achievement by an emerging photographer, one whose work has recently gained visibility and whose voice adds new perspectives to the discussion around photography and visual culture.
Baxter St. Camera Club of New York 126 Baxter Street New York, NY 10013 On View Through April 27, 2024 Baxter St, in partnership with YoungArts, is proud to present a solo exhibition by Zayira Ray (2018 YoungArts Winner in Photography), featuring portrait photographs that explore notions of belonging, love, and kinship in Brown diasporic communities.
Marianne Boesky Gallery 509 West 24th Street New York, NY 10011 On View Through April 27, 2024 Marianne Boesky Gallery is pleased to present Quiet Storm, an exhibition of new work by Danielle Mckinney (b. 1981; Montgomery, AL). In this ambitious new suite of oil paintings, Mckinney infuses intimate settings with radical beauty and striking emotional sway.
NICOLA VASSELL 138 Tenth Avenue New York, NY 10011 On view through April 20, 2024 Nicola Vassell is delighted to present Univitellin, a special installation of Terence Nance’s eponymous short film from 2016, and a selection of photographs from the artist’s archive depicting family, faith and the synthesis of creative and spiritual practice.
Edited by Najha Zigbi-Johnson. Mapping Malcolm continues the project of reinscribing Malcolm X’s memory and legacy in the present by exploring his commitment to community building and his articulation of a global power analysis as it continues to manifest across New York City today.
Edited by Sarah Elizabeth Lewis, Leigh Raiford, and Deborah Willis. The Vision & Justice Book Series, conceived by Vision & Justice founder Sarah Elizabeth Lewis and published by Aperture, is a groundbreaking endeavor designed to address past omissions and contribute to the ongoing work of building a richer, more racially inclusive story of lens-based practices.
